Do not look down on the seconds. This privileging of literature [in the USSR in the s] did not just amount to harnessing writers to turn out propaganda tracts. Both the leadership and the populace at large did not have a purely instrumentalist attitude to literature. They revered it to such an extent that one could talk in terms of a cult of literature. In the s literature enjoyed a semisacral status among a broad spectrum of the population, regime stalwarts, and dissidents alike.
How the Soviet Literary Establishment Censored Vasily Grossman | The New Yorker
They provide a treasure trove of books, periodicals, photographs, music scores, audio recordings, and other artefacts in Russian and English. The collections were established in and are unique in the UK, charting the history, language and culture of the Soviet Union from through predominantly Soviet-produced materials. They include rare materials from the ss, the Society's archive records and a number of personal collections. The collections are of interest to students, academics, historians and professional researchers with an interest in Russia and the other republics of the former Soviet Union.
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Because the University of Chicago's Russian Literature collection predated the final development of the Library of Congress scheme for PG, previous to , University of Chicago call numbers for Russian authors were assigned independently of LC's numbers. In , Regenstein Library decided to begin using the numbers assigned by the Library of Congress. Authors who began publishing after have only one call number range. In Regenstein bookstacks, works by and about Anna Akhmatova can be found under the following call numbers: PG
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The Bolshevik seizure of power in radically changed Russian literature. After a brief period of relative openness compared to what followed in the s, literature became a tool of state propaganda. Officially approved writing the only kind that could be published by and large sank to a subliterary level. Censorship, imprisonment in labour camps, and mass terror were only part of the problem. Writers were not only forbidden to create works that were dissident, formally complex, or objective a term of reproach , but they were also expected to fulfill the dictates of the Communist Party to produce propaganda on specific, often rather narrow, themes of current interest to it.